ANTONIO CALDARA – Sinfonia No.3 in F Minor ‘La morte d’Abel’
GIOVANNI BATTISTA PERGOLESI – Stabat Mater
GEORGE FRIDERIC HANDEL – Concerto Grosso Op.3 No.2 in Bb
GEORGE FRIDERIC HANDEL – Arias from Giulio Cesare:
Va tacito e nascosto
Al lampo dell’armi
Da tempeste il legno infranto
About This Concert
The Hanover Band will perform Caldara’s Sinfonia No.3 in F Minor‘La morte d’Abel’, Pergolesi’s Stabat Mater, some of the most well known arias from Handel’s masterpiece Giulio Cesare, and his Concerto Grosso Op.3 No.2 in the atmospheric setting of St Nicholas’ Church, Arundel.
From Venice to Vienna, via Barcelona and Rome, Antonio Caldara was an established figure on the European music scene by the early 18th century. However, surprisingly, his works are not often heard today. This dramatic Sinfonia, written in 1732, is the opening music to ‘La morte d’Abel’, based on Pietro Metastasio’s libretto of the biblical tale.
The Stabat Mater is a 13th-century sequence used regularly for personal and communal devotions from the time of its creation. The text has been used by composers such as Palestrina, Lassus and Haydn, but perhaps the most well known setting is Pergolesi’s from 1736. It is an unashamedly theatrical work.
Handel moved to London in 1712 where he enjoyed a highly successful career as a composer of works in many genres including operas, oratorios, and concertos. His Concerto Grosso Op.3 No.2, published in 1734, features virtuosic solos from the woodwind and strings. Thought by musicologists to be an early example of music piracy, there is evidence that the work was created by London-based publisher John Walsh who put together a compilation of existing works by Handel without his knowledge!
During 1724-5 Handel wrote three operas, including Giulio Cesare, his setting of the classic tale of love, politics, and betrayal. In this concert the spotlight is on Cesare and Cleopatra as their relationship takes centre stage.
Katherine Watson soprano
William Towers countertenor
THE HANOVER BAND
“Strings are gleaming and engaged, their woodwind sublime, their brass bright and flexible, their percussion alert….”
25 August 2018
St Nicholas Church, Arundel, West Sussex, UK View map
£17.00-£38.00* (*Booking fee applies) Book now
0333 666 33 66
Doors open: 6:45pm
Celebrating Beethoven 250
2020 is both the 250th anniversary of the birth of Beethoven and the 40th anniversary of the founding of The Hanover Band…. Read more…
Nurturing The Next Generation
An integral element of the work of The Hanover Band – passing on the abundant knowledge of presenting Baroque and Classical music to practitioners of the future…Read more…
Video / Reviews
“All the colours…registered vividly on the period instruments, and Bayl steered this familiar music with fresh imagination.”
“The Hanover Band’s gutsy playing stripped decades of varnish from the score with sound that was full-blooded…”
Still buzzing from a mind-blowingly exciting performance of Handel’s #Messiah by @TheHanoverBand at St George’s Church, Brighton earlier this evening. It was as if I was hearing it for the first time. And such wonderful connection between performers and audience. Hallelujah!
HANOVER(Not Hannover; Germany) In terms of British history the majority of the music we play is from the Hanoverian period. Hanover also refers to Hanover Square in London, where Haydn performed his symphonies and arias in the Salomon Concerts in the 1790’s.
BAND(ref: The New Grove Dictionary of Music and Musicians)
‘An instrumental ensemble, larger than a chamber ensemble. Thus the ’24 violins’ of Louis XIV were called ‘la grande bande’ to distinguish them from Lully’s ‘petits violons’, and Charles II’s similar ensemble was known as ‘the King’s Band’. By extension, ‘band’ came to mean an orchestra in colloquial British usage’.
THE HANOVER BAND a period name for a period orchestra.