Concerts

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South Stoke Series: L’EUROPE GALANTE – Arundel Festival 2018

Programme

VIVALDI  Concerto in G minor
JS BACH  Trio Sonata in G major BWV 1038
JC BACH  Quintet in D major
FASCH  Sonata in B flat major
VIVALDI  Trio Sonata in A minor
TELEMANN  Quartet in G Major from Tafelmusik Part 1

 

About This Concert

The South Stoke Series: 

Students studying under Ashley Solomon, Head of Historical Performance at The Royal College of Music, perform in the intimate setting of St Leonard’s Church, South Stoke.


A ‘Nurturing the NEXT Generation’ event
.

Artists

Amelia Shakespeare baroque flute
Iain Hall recorder/baroque cello
Andres Villalobos baroque oboe
Abel Balazs baroque violin
Matthew Lewis baroque bassoon
Jonatan Bougt theorbo
Claire Williams harpsichord

 

 

 

 

“Strings are gleaming and engaged, their woodwind sublime, their brass bright and flexible, their percussion alert….”

The Independent on Sunday

When
23 August 2018
12:00 pm

Where
St Leonard's Church, South Stoke, West Sussex, UK
View map

Tickets
£15* (*Booking fee applies)
Book now

Additional Info
Box Office:

0333 666 33 66

Doors open: 11.30am

Twitter

Baroque music is usually heard in a room seating about 400 and having resonant surfaces. This results in a more intimate, inward-looking style of that period, which is fundamental to the authentic performance and spirit of its music. #tweetoftheweek #baroquemusic

Baroque music is usually heard in a room seating about 400 and having resonant surfaces. This results in a more intimate, inward-looking style of that period, which is fundamental to the authentic performance and spirit of its music. #tweetoftheweek #baroquemusic
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The Hanover Band

HANOVER (Not Hannover; Germany) In terms of British history the majority of the music we play is from the Hanoverian period. Hanover also refers to Hanover Square in London, where Haydn performed his symphonies & arias in the Salomon Concerts in the 1790’s.

BAND (ref: The New Grove Dictionary of Music and Musicians)
‘An instrumental ensemble, larger than a chamber ensemble. Thus the ’24 violins’ of Louis XIV were called ‘la grande bande’ to distinguish them from Lully’s ‘petits violons’, and Charles II’s similar ensemble was known as ‘the King’s Band’. By extension, ‘band’ came to mean an orchestra in colloquial British usage’.

THE HANOVER BAND a period name for a period orchestra.

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